Category: artsy-fartsy
Clarence Hates Mystery Meat: H.A.N.D.
First of all, I don’t even understand what I’m supposed to call this place. H. A. N. D. (39 rue de Richelieu, 75001 Paris, Métro: Palais Royale) stands for Have A Nice Day, but I don’t particularly want to call a restaurant a conversational pleasantry: “Do you want to go to Have A Nice Day for dinner tonight?” At the same time, it feels odd to spell out a recognizable word: “Do you want to go to H. A. N. D. for dinner tonight?” So I’ve been calling it Hand, which I also kind of hate, because who wants to eat a restaurant called hand?
So I was skeptical about the name from the very beginning, but my friend BC won me over with talk of a duck burger, slick interior design, and a good review in Le Fooding. I love duck! I love burgers! I love slick interior design! And Le Fooding is how I plan my week! But our attempts to eat at H. A. N. D. were foiled during BC’s final week in Paris, as it seemed to be either closed or too far out of the way every night we contemplated going. I’ve been pretty fixated on going since then, especially since B and I walked by the restaurant on our way to see the Rose C’est Paris exhibit at the BNF (resounding “eh” and I haven’t felt this bad about my boobs in years) and the slick interior design was resoundingly confirmed. H. A. N. D. is really darling inside with indigo walls, bare bulb light fixtures, antique globes, and stacked Campbell’s soup cans. The menu, a spare list of yummy-sounding burgers and a few other French bistro and American diner classics, was intriguing. I’ll admit that despite having eaten some good ones, I’m still on the search for the perfect burger in Paris. Despite their ubiquity here, burgers just aren’t quite what my good little American self wants them to be. As an aside: damn you, SoCal residents, for getting another location of The Counter within throwing range of my old abode.
All this is to say I had high hopes for our visit to H. A. N. D. on Tuesday night. B and I had met up with M at the Palais de Tokyo to take in their newest exhibit Dynasty. I keep going back to the Palais de Tokyo because I bought an annual pass during my initial museum-pass buying frenzy when I moved to Paris. We then discovered that if you have a student identification card and say you are an art history student, admission is free, a fact that never fails to piss me off when we enter the museum. On Tuesday night, our entry went something like this:
Ticket office employee: Eight euros.
B: Actually, I’m a student. An art history student.
Ticket office employee: Really? What kind of art history do you study?
B: Medieval art history.
Ticket office employee: (sighs) Okay. You’re free. Next?
M: I’m an art history student too.
Ticket office employee: Oh really! How convenient! And what kind of art history do you study?
M: (flustered) Uh, the same.
Ticket office employee: Are you kidding me? You also study medieval art history?
M: Uh, yes. I mean, no. Photography.
Ticket office employee: Medieval photography.
M: Yes.
Ticket office employee: Okay. Here’s your ticket.
Obviously technological development and art history are not strong subjects at the American Apparel College for Future Hipster Museum Employees.
I have no idea why they decided to call this haphazard amalgamation Dynasty, as all that unites the work is the fact that it is new work by emerging young artists in France. Moreover, I seriously think that the Palais de Tokyo is actually trying to make me hate contemporary art entirely. The last several shows there have made me to nothing more than hit my forehead with the palm of my hand in frustration. While B carefully made his way through the exhibit, reading each unnecessarily cryptic description of each unnecessarily obtuse piece (you should see this guy in a museum that actually interests him!), M and I turned into ADD kindergarteners, taking silly pictures and making fun of our fellow museum goers. I can’t believe she’s leaving me for a month.
After a frustrating visit, I convinced everyone that H. A. N. D. would be the salvation of our evening. What couldn’t a duck burger improve? So we strolled into the first arrondissement for dinner, something we really never do unless we are getting Japanese. At first, everyone was happy with our choice. The restaurant is so cute! The staff is friendly! The menu is on a chalkboard! I chose the Super Duck, an anatine patty topped with sautéed mushrooms and melted chèvre. B chose the Cheese + + +, a regular beef burger with three different kinds of cheese. M chose the steak tartare as she is leaving Paris for a month and wanted a final fix before she left.
I’ll start with the good news.
B’s burger wasn’t terrible. It wasn’t the best burger in Paris, but it certainly wasn’t the worst (that honor goes to Café Francoeur in Montmartre). H. A. N. D.’s burger was at least properly cooked! The fries were soggy and the bun was stale, but hey, it was edible.
Less edible was my “duck” burger. First off all, let’s be frank: it wasn’t made of duck. Lamb, possibly. Or maybe a strange cut of beef. But waterfowl never even got close to that burger. The mystery meat was dry, dense, and strangely mealy. The cheese and the mushrooms were good, however, and after drowning the whole operation in mayonnaise, I got it down.
But then there was this:
Let’s just say I didn’t want to have to do this, H. A. N. D.
When we told you, H. A. N. D., that the steak tartare was “pas correcte,” what we actually meant was: “This steak tartare was completely inedible. It is at once mushy and sinewy, and it is dark brown! Frankly, it looks like someone defecated on the plate! That this dish would be served at any restaurant in Paris is an insult to French food! You should immediately fire your chef and your beef supplier. Short of this, you should at least remedy the situation and remove this atrocity from our bill, as my poor friend only ate two gracious bites before turning pale, quivering slightly, and setting down her fork for the rest of the evening. Shame on you! Make this right!”
I have to say that here is a difference in ethos between French and American restaurants. You say something is gross or inedible in the States and you can pretty much expect that it will be taken off the bill. H. A. N. D. even shocked me by French standards, as saying something is “not correct” in France is basically the most significant objection you can make to a dish. I almost hit the roof when we discovered that they still charged us for the steak tartare. I wouldn’t have even written this review if they had adjusted the bill properly. But they didn’t, so here we go:
Please don’t patronize this restaurant. They will lure you in with their kitschy décor and their cute typeface. You’ll make stupid American assumptions, like “How could they mess up a burger?” But something is not right here, people. Something is not right with the meat. Off-putting meat is the place where even I, devoted patron of sketchy taco trucks and guys who sell things out of coolers outside of nightclubs, draw the line. One of the best things about France is that meat is of such better quality across the board (largely because Europe has outlawed such terrifying practices as the use growth hormones in factory farms). So a place like H. A. N. D. that should specialize in high-end beef comes as a complete shock and something that nobody should put up with (especially not for a 14 euro hamburger – at current conversion rates, that’s $18.26). Frankly, I’m surprised and relieved that no one got sick from our visit. You might not be so lucky.
Clarence Avoids the Mob and Eats Watermelon Jello: Palermo, Sicily
One of the dumber things we did when planning our trip was assume that we could easily take a ferry from Sardinia to Sicily, book our hotels, and then attempt to work out the ferry schedule. Turns out while you can indeed take a ferry from Sardinia to Sicily, it takes nearly 14 hours, is only offered as an overnight voyage, and is only available once a week. So at the last minute we had to book an Alitalia flight from Cagliari to Palermo via Rome. Which was annoying, but less expensive and fear-mongering than we imagined (though the Italians still do the thing of applauding when the plane touches the tarmac). After our sleepless night, I was looking forward to sleeping on the plane. B, however, is unable to sleep on planes, so he instead had three double espressos at the airport. I suspect you can guess how this ends.
We arrived in Rome with no complications, aside from the fact that they wouldn’t let us bring our amazing pocketknife from Corsica in our luggage, so B gave it to a small child in front of the airport (not cool?). We had a few hour layover in Rome, not really enough to do anything but wait. I was fine with that, as I was now deep into Jonathan Franzen’s Strong Motion, which is quite good if you want a summer read. Unfortunately, I couldn’t focus on my book because of an enormous group of American college girls who were hanging out at our gate, waiting for a flight to Florence that left before our flight to Palermo. Have I ranted about study abroad here before? NO? Well then it’s high time. First of all, I’ll admit that I was among the worst of the worst, as I was at NYU for undergrad and did a semester in Paris. I was pretty grossed out by the culture of study abroad when I was in college and didn’t participate in the modus operandi of getting wasted in a new European city every weekend. But I know I can’t make the statement I’m about to make without sounding like a hypocrite, so I want you to know that I will effectively lump myself in this category. Okay, here we go: the best way for the United States to improve their image abroad is to immediately disband all study abroad programs. I said it! Moreover, study abroad is entirely wasted on college students, even the smart sensitive ones that spend the whole time at museums quietly weeping into their Moleskin journal. For every one of those, there are twenty spoiled monsters in pink sweatpant shorts who act like Europe is a special branch of Disney with an all-you-can-drink alcoholic smorgasbord. I’ll take this argument further: study abroad programs are why Europeans think Americans are entitled assholes! Those white sneaker wearing, aw shucks, “I’ve wanted to see the Eiffel Tower my whole life and now I can die happy!” tourists – totally harmless! Those kinds of tourists are so terrified of being “the bad Americans” that they spend most of their trip trying to be extra-polite. You know who isn’t concerned about being a bad American? Kids whose parents are dropping forty grand for a semester in Florence, Prague, Barcelona, or Paris. Now look, I know that you, dear reader, were a total exception to this rule, as was your kid. But let me tell you about these girls at the airport.
B had arrived at the gate before I did, as I was in the ladies room trying to convince my face to stop resembling old Silly Putty. When I arrived, I found him sitting on our suitcases near a bank of empty chairs with a sour look on his face. “Why don’t we sit down to wait?” I asked. “We can’t sit there,” he responded through clenched teeth, “Those seats are all saved.” “Saved?” I asked innocently,“Why would anyone need to save fifteen chairs?” I turned around and the answer clomped towards us in flip flops , Ugg boots, hoodies, and sweatpant shorts. Some were clutching pillows, some stuffed animals. All looked as though they were ready to go to bed, even though it was ten o’clock in the morning. “Uh, excuse me!” one said snottily as she pushed our suitcase away from her “saved” seat. I turned to B and said we should head to a café before I lost my shit. He agreed, so we found the nearest place to grab some coffee and a panini. While I sat with the bags, B went to the counter to get our food. He came back sputtering, unable to speak with amazement. When he finally came back, I asked what had happened.
“So one of those American girls…”
“Yes, one of those college girls. What did she do?”
“She pushed ahead of everyone in line. She was speaking English to everyone, saying that she didn’t need to wait because all she wanted was water for her water bottle.”
“Oh, well, I mean, I guess…”
“No! It’s worse! So she gets to the front of the line and cuts in front of me. I let her go because I thought it might be amusing. And she thrusts her dirty little Nalgene bottle in the face of the barista and goes ‘I want some water.’”
“I’m sure she didn’t say it exactly like that…”
“No, SHE DID! In English! He obliged, and filled up her bottle and handed it back to her. She didn’t thank him, but I thought it was done. And then! DO YOU KNOW WHAT SHE DID THEN?!”
“Urinated on the floor?”
“She inspected the bottle, pushed her way back in front of me, and then caught the barista’s gaze. She held out the bottle, SHOOK IT AT HIM, and said “How about some ICE?’”
“NO!”
“YES!”
“We’re still in Rome, right?!”
“THIS JUST HAPPENED!”
After that I was done appeasing the spoiled children. We went back to our gate, stopped speaking English, and ignored two girls with visible thongs who informed us that the seats we were sitting in were “saved for our friends.” I gave one of them my patented “Little girl, don’t poke the cobra” face and we sat there until they boarded their flight. Not one of them attempted to greet the airline employee in Italian. Out of over twenty girls, only one thanked the airline attendant who wished them a pleasant flight. I was mortified to be an American.
Fortunately, we finally boarded our flight with little complications and were soon headed to Palermo. We arrived and easily found the bus into town, a much better plan that a fifty euro cab from the airport. The coastline around Palermo is really amazing, with huge craggy mountains rising almost directly out of the sea. And while the environs of Palermo seemed somewhat shabby, they also seemed to be homes that people took pride in and care of. As we entered the main part of the city, we drove through a rather fancy-looking shopping district and I immediately began formulating my theory about how everyone in my life that had said Palermo was gross and kinda scary was actually full of shit. “Look how pleasant this is!” I declared to B. “My mom was completely wrong about this!” B, who is much better at reserving judgment than I am, merely nodded and said that this part of town did indeed look nice.
As we moved into the historic center of town, however, we quickly began to notice that things weren’t quite as nice or pleasant, and while there might be some high-end buildings, most everything else looked like it was about to crumble into dust from too much pollution. Getting out of the bus at the central station, the poor air quality hit us hard. I mean, you literally feel dirty as you are walking around outside in Palermo. At night when I went to wash my face, my white washcloth was covered in ash.
It’s actually really sad, because as B pointed out to me, Palermo is actually older than Rome and has a truly fascinating history that is reflected in the architecture. But even the most important civic buildings are in a state of decay and the urban infrastructure that surrounds them is entirely not conducive to walking around. We were perpetually thwarted in our attempts to visit historic sites, often because they were closed for private events or just off limits to tourism more generally. B made the wise comment that Palermo likely looks today like much of Europe did in the fifties and sixties. It’s unfortunate, as it seems like a really fascinating city that is held back culturally by deeply entrenched corruption. I mean, seriously. Our hotel only accepted cash.
Our first culinary stop was the Antica Focacceria di San Francesco (Via Alessandro Paternostro 58), described by our guidebook as a “Palermitan institution” and the first stop the Sicilian president made when showing Anthony Bourdain around town. We figured that if it was good enough for them, it was good enough for us. We were especially anxious to try the maritata, a sandwich of stewed veal innards and ricotta cheese. Lonely Planet also described a moffoletta of cherry tomatoes, anchovies, caciocavallo cheese, and oregano, that I had been fantasizing about all morning.
We had a terrible time finding the place, as we tried to be clever and take some side streets for the atmosphere. Can I just say to future visitors: maybe be careful taking side streets for atmosphere in Palermo? While many of them are indeed atmospheric and a few are even flat-out charming, some are downright scary, including one we took on the way to lunch that appeared to be an informal sort of dump for the neighborhood. I was amused by our circuitous route to lunch, but I noticed B wasn’t quite in such high spirits. This was probably because while I had slept for three hours on the plane, he had drank six espressos and was now crashing from all that caffeine and lack of sleep. By the time we arrived at the chaotic Antica Focacceria di San Francesco, he was about to collapse. I rallied, figured out the complicated system of ordering, and got B his maritata. The giant vat of milza (veal innards) dominates the center of the room and smells strongly of lard. In fact, everything smelled strongly of lard. I was in that cheerful, dopey tourist mode and happily flirted with the bartender when he handed me my beer. B in contrast was shaky, cranky, and obsessed with the lard dripping into his beard. While the food wasn’t good, not even a little bit, I was impressed by the bargain. Everything you see below cost less than fifteen euro. Much of it tasted like sand, but that’s another story.
After a much-needed nap at the hotel, we explored the area around the Quattro Canti, the elaborate intersection of two of the largest streets that forms the center of the oldest part of the city. Here is the Piazza Pretoria, the “scandalous” fountain that the city purchased in 1573 and subsequently had to modify to appease the prudish churchgoers:
It was empty and filthy, of course. Why on earth would you want to fill, clean, or light one of the most important landmarks in the city? How bourgeois that would be!
From left to right, this is La Martorana (which houses some really exquisite mosaics and some extremely annoying attendants) and the Chiesa di San Cataldo. You can see the incredible hybrid of Roman, Arab-Norman, and gaudy Baroque ornamentation that characterizes much of the historic center of Palermo.
Let’s get to the good stuff, shall we? For dinner, we went to Primavera (Piazza Bologni 4), a Slow-Food recommended trattoria that literally feels like a Fellini set, as you dine by candlelight in the midst of a ruined piazza. The food? Fantastic and startlingly affordable. We began our meal with antipasti of polpette (deep fried balls of fresh sardines, pine nuts, and raisins) and eggplant parmesean. For our pasta course, we shared plates of fettuccine in squid ink (our first encounter with this visceral dish that dyes your teeth and lips black) and in a light white wine sauce with fresh mussels, clams, and shrimp.
For my main course, I had charcoal grilled squid. I can’t even express how tender and magnificent these were:
B sampled the spigola al sale, mainly because it was amusingly translated as “it gleans, with salt.” He discovered his new favorite dish, a whole fish cooked in a bed of famous Sicilian salt, which keeps all the moisture in the flesh and creates a crunchy crust of skin. It became his go-to dish during our time in Sicily:
The whole meal, with wine and sparkling water, set us back about forty euros, a far cry from the cash hemorrhage that our lives in Paris and Corsica had been. While I can’t say that Palermo is much for sight-seeing, a real foodie could do some serious damage here on a limited budget.
The following day we attempted to do some sightseeing in the oppressive heat and dirt of the city and were confounded at every turn. We started at the Civica Galleria d’Arte Moderna, less because of our deep interest in 19th and 20th century Sicilian art and more because we had read that the museum restaurant was “a hidden gem” run by the Michelin-starred chefs at Osteria dei Vespri across the street. I’ll burst your bubble – it’s isn’t anymore. The restaurant is closed indefinitely, likely because there is nobody in the museum. While the structure itself is an amazing and obviously expensive restructuring of a 15th century palazzo, the collection is mostly made up of yawn-inducing hotel art. There are more people working at this empty museum than I’ve ever seen before, and they stood around in huge uniformed packs and gossiped loudly. Nobody knew anything about the art or could answer any questions about the building. The museum guards were all surfing the internet at the various computer banks around the exhibitions and totally ignored our presence. As B pointed out, we could easily steal some of the artwork, that is, if any of it had been worth stealing. We spent the better part of the afternoon guessing about what kind of ridiculous Italian government grant had spawned that monstrous collection and its enormous and inept staff. It was the most impressive attempt at a tourist attraction that the city has to offer, and it was a mess.
Disappointed about our lunch failure, we decided to give the Sicilian eating house another try and walked to the Trattoria Basile (Via Bara all’Olivella 76) for lunch and found the kind of place that we had hoped the Antica Foccaceria di San Francesco might be. Huge servings of antipasti and fresh pasta are the main attraction here and long lines wait for this excellent (and cheap!) dining experience. We both had a plate of this simple and delicious corkscrew pasta with fresh tomatoes and mozzarella:
And we shared a delicious selection of roasted vegetables from the antipasti section, including the very fava beans that were a ubiquitous presence in my mother’s Sicilian family when she was growing up.
For dessert, we were anxious to try the gelo di melone, a watermelon gelatin dessert served with chocolate chips and fresh flowers. They are flat-out obsessed with watermelons in Sicily and big slices are often served as a light summertime dessert. For some reason I found it hysterically funny to see waiters at fancy restaurants carrying around trays with huge wedges of watermelon. Likewise, gelo di melone is everywhere and considered the signature dessert of Palermo.
The verdict: pretty, but totally weird. I was skeptical about the combination of watermelon and chocolate and found it rather off-putting in practice. But I’m glad I tried it, once.
The damage: two plates of pasta, a plate of antipasti, a dessert, two enormous German beers, and a liter of sparkling water cost twelve euro. Twelve. I was ready to move to Palermo after lunch.
Instead, we walked across town to the Palazzo dei Normanni, a giant Norman-style (duh) palace that houses both the main governmental offices of Sicily as well as the Capella Palantina, a supposedly-amazing chapel from 1130. Except…it was closed for the day. In the middle of high tourist season. Because, wait for it: the tackiest wedding in the history of time was taking place there! There was a gelato stand near the entrance, so B and I decided that our Sicilian culture lesson would not be in mosaics of Old and New Testament, but instead in the amazing hair weaves and polyester gowns of Palermo’s elite. Oh my god, what a show! I tried to take pictures, but was told by a bodyguard (!) that while we could sit there as it was indeed public property, there was no way I could take any photographs. I acquiesced and B and I watched the spectacle of the wedding guests, each couple more amazing than the last. It was too bad that we missed the best maintained chapel in Palermo, but I’ll probably remember some of those hairstyles long after I would have forgotten those inlaid marble floors.
After that, we gave up on the sightseeing. Palermo didn’t want us to see her sights. We wandered into Albergheria, the residential area around the Palazzo dei Normanni that is essentially a slum, complete with full fledged corrugated steel shantytowns. Atmospheric, I guess? Actually it was my favorite part of Palermo, as we saw many interesting buildings and off-the-map medieval churches and mosques.
We helped two nuns that were having some trouble with their darling orange Cinquecento (this sounds like the beginning of a joke). We found an amazing ceramics workshop, the Bottega Dorte di Angelo Longo (Via M. Bonello 13), where I bought an beautiful plate with an image of the trinacria, the ancient symbol of Sicily that is comprised of a winged, floating head surrounded by three bare legs (talk about imagos of the fragmented body!).
We stumbled on the Mercato delle Pulci, a flea market that looks at first like a squalid rathole, but is filled with beautiful furniture. The area is definitely worth a walk around if you find yourself in Palermo, but remember to do it in broad daylight and that this is a cash-only town.
Later in the evening, we walked north to see the Theatro Massimo (Godfather III, people!) and to eat dinner at Pizzeria Biondo (Via Carducci 15).
The sister restaurant to the much-pricier Trattoria Biondo, Pizzeria Biondo is a lively, unpretentious affair that serves big beers and even bigger pies at reasonable prices. And the pizza. Oh, my god, the pizza. We shared two pies, the first a combination of spicy salami and homemade sausage:
And, the pièce de résistance, a mushroom medley that include huge slabs of roasted portabella, fresh bufala mozzarella, and large smears of tartufo nero:
That’s right, people. Those dark-brown splotches are pure black truffle spread. I think Manic Mushroom Boy died and went to heaven that night. It was a nice way to end a strange part of our journey. I can’t exactly recommend you visit Palermo, but I’m glad that I did, if that makes any sense.
Next up: Beautiful Cefalù and its not-so-beautiful beachgoers. Stay tuned!
I suppose you could link this series of non sequiturs under the rubric of “things you look at,” but it’s a stretch.
So if my most recent blurry (arty!) shots were bugging you as much as they were bugging me, you’ll be pleased to know that I have ordered a new camera! Unfortunately, the camera I wanted (Canon PowerShot SD780IS 12.1 MP Digital Camera) isn’t available in France and even if it was, digital cameras are a lot more expensive here. Just in case you were wondering, yes, all the best stuff does indeed end up in America. Have I mentioned how much I miss Target? Oh, okay, I guess I have. Anyway, I’m using M as a mule to bring back my new camera from the United States, that is, unless she decides to keep my new toy for herself. It must get tiring having to think about depth of field and contrast and value all the time. My new camera is apparently totally idiot proof and requires no thinking whatsoever. It’s also has over twice as many megapixels as my current camera, so I suspect the images on Keeping the Bear Garden in the Background will be sharper in the future. They will still probably suck compositionally, but hey! At least I’ve learned to turn the flash off when I’m photographing food. Baby steps to the elevator.
Last night we went to see Inception, which was pretty great! I’ll admit here that I’m biased because I was really jonesing for a Hollywood blockbuster, as one can only watch so many thoughtful European movies without beginning to long for a car explosion. I was amazed how easy it was to watch a movie in which everyone is speaking English! Since I’ve paradoxically been watching mostly Italian movies in the theatres for the past six months, I’ve gotten used to reading French subtitles and listening to spoken Italian. I understand about ninety-five percent of the time, but it’s a lot more work and slows down suspending my disbelief (obviously, Pasolini isn’t really worried about suspending my disbelief, but that’s another thing).
Horrifyingly, however, they turned off the air conditioning about halfway through the film last night, rendering the packed movie theatre into a death sauna. This seemed kind of ironic, because both B and I had both gone back into my apartment to fetch an extra layer, as we were anticipating a proper American multiplex freezer during the movie. Instead, we were drenched in sweat. B whispered at one point that he was contemplating taking off his shirt. The French seemed unbothered by this development. They were also nonplussed by a public service announcement at the beginning of the film that depicted a child being brutally killed in a car crash. I was too paranoid that somebody was going to sit next to me (weird movie theatre phobia) to pay attention to the ad, but B gasped and said to me “So, apparently it’s all right to show a dead child on public service announcements here!” The girl sitting next to B, who I’d already decided that I hated because she had taken off her shoes to sit cross legged and her dirty little foot was well within our space, decided to generously “enlighten the English person” and explain to an apparently dense B that it was an ad meant to shock and teach. No shit, Sherlock. B responded tersely in French that he understood the function of the ad, but that it’s content wouldn’t likely be shown in an American movie theatre and was jarring to him for this reason. Apparently she still assumed he was still too slow on the uptake to understand, because she responded in English that “The death was just acting. It was not real!” Really? Thank you, kindly French person! I’ve been in America for so long that I’ve actually come to believe that advertisements on television are documentary reality! I assume everything is reality television! Are you saying it isn’t?!
Anyway, condescending people aside, the movie was good and totally worth a night away from my beloved Latin Quarter Art et Essai cinemas. We both agreed that we could watch weightless fight scenes all day long.
On our walk home, B said, “You know, I think we’ve been watching Antiques Roadshow for long enough as a couple now…” To be honest, I don’t even know how that sentence ended because the first half sent me into a fugue state. I hate Antiques Roadshow. I hate the stupid, rambling, and often erroneous narratives that people give about their treasures. I hate watching people wait in line to find out how much they can hawk their precious family heirlooms for. Most of all, I hate the smug appraisers, especially the supposedly charismatic ones that make bad puns. But B loves Antiques Roadshow. I mean, sometimes I find him at three o’clock in the morning deep into Nashville Hour 47. He has even woken me up in the middle of the night to see a particularly amazing item be appraised. This is especially ridiculous given that he isn’t watching these episodes on television, he’s watching them streaming from PBS’s website. Meaning I could just as easily watch the clip of the amazing item in the morning. But I’ve been trying to humor him by watching it with him because he is incredibly patient with my atrociously bad, bottom-feeding taste in television. No one should have to sit through an entire season of The Real Housewives of New Jersey against their will, but this poor guy has and without a single complaint. He even listens to my running unfunny commentary during these shows and makes a valiant effort to be a responsive interlocutor to my pop psychology. “Definitely Danielle is a delusional paranoid! Totally!” So I feel obligated to try and like Antiques Roadshow, but man, is there something I’m missing?
Chaos reigns!
Clarence in Paris: Tokyo Eat
Tokyo Eat at the Palais de Tokyo
13 avenue du Président Wilson, 75116 Paris
Métro: Iéna
Yesterday I went and watched some psychoanalysts fight with each other at the Sorbonne for a few hours. The conference I attended ended with one of the panel members storming off the stage and the other throwing his glasses on the table in frustration. The were fighting over the stakes of a dogmatic reading of one of Lacan’s seminars, which I’m sure to most people would seem like a pretty irrelevant thing to get so bent out of shape about. But this was a niche audience and everyone got really fired up. It was kind of exhausting to witness, though I suppose that my ability to mock an angry French speaker improved immeasurably.
Worn down to a single raw nerve, I met up with my friends afterwards for an evening at the Palais de Tokyo, a museum that I’ve mentioned here before. How to explain the Palais de Tokyo to the uninitiated? It’s a rather enormous, partially unfinished contemporary art museum with no permanent collection. They put on a few large-scale exhibitions a year and have weekly lectures, concerts, film screenings, and other cultural happenings on Thursday nights. On the upside, some of their curatorial work is really sharp and the vastness of the museum space itself allows for certain work to be showcased that might otherwise have difficulty finding adequate museum space. The also have, hand-down, the best Photomaton in Paris (it’s actually nearly impossible to find the black and white kind that make photos in a vertical strip here, Amelie be damned). The downside? Well, sometimes the exhibitions indulge the emptiest trends of contemporary art. The last exhibition at the Palais, Chasing Napoleon, was a good example of the former alternative: a fascinating group show that hinged upon the idea of the Unabomber as an exemplary escape from the social into a kind of aesthetic isolation. The current exhibition, Pergola, which is supposedly about the haunting of architectural space, is well, let’s just say it’s not that great. It’s the kind of show that makes intelligent people wander around bewildered, musing about how they too can get in to this conceptual art racket and make a killing assembling boxes out of construction-grade plywood. Or maybe that’s just my friends and me.
What’s kind of terrific about the Palais de Tokyo, however, is that even if the art viewing is a total bummer (an entire installation of non-functional pneumatic tubes? really?!), the bookstore is consistently amusing and the bar and restaurant at the museum are pretty excellent. I’ve told you about the excellent neon lighting at the Tokyo Bar before, but I’ll emphasize again that it is a great place to meet up if you find pinky-orange light to be very flattering (I do). While the service at the bar is comically bad (just order at the bar, because seriously they are never, ever coming to your table), the bartenders are cute guys that certainly provide evidence that my students are wrong to say that there is no such thing as a French hipster.
The restaurant, Tokyo Eat, has a diverse, pseudo-Asian fusion thing going on that provides a nice break from Paris bistro fare. While it’s trendy and kind of expensive (a nine euro milkshake guys? for that price it better be laced with cocaine), I actually really like eating there. Last night, my friends and I ate the tartare de boeuf au saté et sésame, roquette et frites maison (standard steak tartare/salad/fries with the twist that the tartare was made with a kind of lovely Asian sesame and saté flavor), the pastilla d’agneau aux aubergines et oignons confits et mesclun (a really lovely Moroccan-style lamb pastilla filled with eggplant and onions and served with a heap of salad) and the adorable daurade à la plancha, aubergines confines, et sauce cacahuète (sea bass with roasted eggplant and a peanut sauce). For dessert, we shared the mini macarons d’Hermès, dissident d’Hermé, aux parfums varies (an assortment of macarons served with a “dissident,” which I believe is what they were calling a small piece of lacy caramel). I’d been eyeing a large display of macaroons in tall milkshake glasses all night, and my friends humored me in ordering one for dessert. I felt kind of bad when I realized that M doesn’t even really like macarons. Though how can you dislike macarons? They are practically the most perfect Parisian foodstuff! The tourism industry might likely crash to a halt if Ladurée or Fauchon closed their doors! I’m not going to bore you with a long description of the macaron culture in Paris (there are fifteen other blogs that can do that for you just as well), but I will say that the ones at the Palais de Tokyo are pretty amazing. While they didn’t have a lemon one (my personal favorite), the assortment of pistachio, rose, vanilla, and passionfruit that they serve is really lovely. Further proof in my growing pile of evidence that M is actually a Soviet spy.
Details: Lunch and dinner served whenever the museum is open (noon to midnight everyday except Tuesday). Reservations totally unnecessary. Dinner service starts at 8 p.m. A nice alternative to the many overpriced tourist traps in the area (surrounding the Eiffel Tower and the Musée du quai Branly).
Photos via Palais de Tokyo.



































