Clarence Rides The Rino
So you know how it goes when you have a really great friend and you haven’t talked to them in a long time and you really ought to get in touch but it can’t just be a “hey, how ya doin’?” kind of catch-up, it has to be long and involved and messy and full of apologies about what a cruddy friend you are for being MIA for so long? And because that interaction is so dread-inducing, you keep putting it off, and putting it off, and putting it off. Which only makes things worse, of course, but you aren’t really thinking about this rationally anymore. You’re just a jerk-off who hasn’t been in touch for months.
Part of the problem is that I’m admittedly kind of a train wreck about my t-minus 50 days left in Europe. I’ve been crying over my dissertation. I’ve been crying at the cheese store. I’ve been crying over Godard movies. I’ve been crying over commercials. I’ve been crying over shoe returns, papercuts, the homeless couple who have taken up residence on my block with their two wee dogs, and my last day of a job that I didn’t particularly like in the first place. I’m a capital M Mess, people. It’s no excuse for abandoning this here blargh, but it’s definitely contributed to the paralysis I’ve been feeling with regards to catching up.
Let’s start small, shall we?
I ate at Rino!
The occasion was my mother’s visit, which was lovely. We decided to take her to Rino, as she had been hearing all about the goodness springing forth from talented young chefs in Paris working outside the conventions of the Michelin star system. That is to say, she (like everybody else I know) watched the hundredth episode of Anthony Bourdain’s No Reservations, in which our sourpuss host treated the contemporary culinary scene in Paris as if it was this fraught battle ground between stuck-in-the-mud, Michelin-starred chefs (Eric Ripert was his co-host for the episode) and young, impertinent Le Fooding-backed geniuses who are reinventing the landscape with every licorice-smoked langoustine tartare they prepare. Which, yes, okay, sure, I guess that’s basically what is happening, but also, can we say also file this under rich people problems? Yes, there a lot of amazing new restaurants in Paris, some of which have a price point that can be met by proles like me and my boyfriend, provided we don’t buy shoes and eat dry lentils for the rest of the week (adding water would put us over budget). But it’s hardly a “revolution,” and it seems kind of gross to use that sort of language to describe the culinary landscape in Paris when uh, well, there are kind of a lot of real revolutions happening elsewhere in the world.
(Aren’t I fun to hang out with now! Do you see what kind of self-loathing monster I’ve become since we last spoke? Did I mention that I’m actively contemplating becoming a vegetarian! Should we quit this entry, bury our face in our sixth consecutive Margaret Atwood novel, and plan another tear-drenched trip to the Louvre this afternoon? No?! You mean you want to hear about the food?)
Okay, let’s do this.
Rino (46 rue Trousseau, 75011 Paris, Métro Ledru-Rollin) is the brainchild of Giovanni Passerini, the former second-in-command to Petter Nilsson of La Gazzetta, which is conveniently across the street from Passerini’s newish digs. Winner of Le Fooding’s 2010 “Meilleur bistrot d’auteur,” Rino is a delightful fusion of Italian forms with a decidedly progressive New York via Paris, seasonal ingredient-driven sensibility. If that makes any sense. (I’m rusty.) It’s really good! It’s unfussy! You don’t have to make any decisions, aside from if you want five or seven courses. Culinary proles we may be, but when you finally get a table at a place where you have to reserve months in advance, the answer to that question is always seven. Especially when the add-on courses involve lobster and cheese, which they did on the night we dined at Rino. Done and done.
I was excited to share this kind of beautiful, rarefied cooking with my mother, who is definitely Clarence’s mama and a lover of food. But I was also psyched by the relaxed, casual atmosphere of the place, which makes catching up with family and drinking a little too much while you enjoy your seven course meal a pleasure, not a white-linen headache. The servers were extremely knowledgeable about the menu and very kind to the Americans. And we had a great view of the kitchen, where Passerini himself had his hands in every single thing we ate, which is something I really appreciate about the Le Fooding-sponsored “revolution.” If I am spending 250 euros to experience a particular chef’s cooking, I damn well want to see him in the kitchen.
Well, what did we eat?
First course was pecorino ravioli, served in a sweet pea sauce and topped with fresh licorice. The salty tang of the pecorino wedded perfectly with the springy sweetness of the peas, and the whole thing was elevated by the unexpectedly bitter aftertaste of the licorice. It was smart, but not so smart as to be anything but totally delicious.
Next up was maigre de ligne in with both conventional and wild asparagus and roasted onions. It was perfectly cooked and an exquisite use of spring vegetables.
Third course (the optional one the night we dined at Rino) was tagiatelle and lobster in a cucumber broth. I was excited as soon as I spied Passerini lovingly pulling out each individual strand of fresh pasta. The cucumber broth was light and perfectly balanced with the lobster. Europeans have gotten me thinking that the American thing of drenching lobster in butter is overkill. Light vegetable broths, like celery or cucumber, actually help the lobster’s sweetness to sing more than a heavy dose of butter.
Our meat course was a sinfully-tender pigeon served with bing cherries, another kind of pea sauce, and braised cabbage. I’m a total slut for small birds, so this was the best thing I’d put in my mouth in a long time. Nevermind that thing I said about becoming a vegetarian.
Then we had a cheese plate, which was well-balanced if otherwise unmemorable. What completely did me in, however, was our dessert. Strawberries, rhubarb, Greek yogurt ice cream, and fried cubes of a sweet semolina custard. Lord have mercy, I could eat cubes of sweet semolina custard all day long and never tire of it.
There! That wasn’t so terrible! I have a feeling that this is like ripping off a bandaid. Stay tuned for tales of a life-changing vacation to Georgia and Ukraine (What?! I know!), our mother/daughter culinary odyssey in London, and a BIG ANNOUNCEMENT. And feel free to leave your vitriolic comments about what a lousy blogeuse I’ve been in the comments! I’ve missed you, dear reader. You’re looking more comely than ever.
yes, it is about time, but well worth the wait, having experienced Rino first hand, you did it justice… it was a lovely evening….
Sublimation via cuisine? I approve. Being a cruddy friend? I patented that process, and now you owe me royalties.
Your excuse is ripe for:
Missed you! Glad you are back sharing your gastro-adventures with us. Just like you said, “see, that’s wasn’t so bad”. Thanks for the great post.
My mind is so blown that I have an anonymous lurker! How heavenly! Thanks so much for reading and commenting. I’ll try to give you more material to lurk around soon. 🙂